Welcome, dear reader! You are most welcome here, where I share information about my and others’ books. Topics such as my reading and reviewing practice, my composition methods, writing and publishing process are taken up here.
The Minuses, my full-length collection, was published in February of this year, so recent posts have focused on what I’m referring to as “the pluses congregating” around The Minuses. Like a constellation of plus (+) signs, reviews, interviews, and readings offered in support of The Minuses shine their positive light and sprinkle sparkling stardust made up of the wondrous generosity of strangers, the special magic of collaboration, and the creative powers of community.
Speaking of creative powers, the images and montage of my book above were created by my friend and photographer, Vincent Wong, who also took the author photo on the book’s back cover. Vincent and I met in an Simon Fraser University course I offered in 2012. From that day forward, Vincent has generously shared his creativity with me. He is a front and center collaborator with whom I have expansive art-talk and fun art walks.
Speaking of the generosity of strangers, Holly Mason offered to The Minuses an absolutely gorgeous, close reading-review at Entropy on September 14, 2020. This review sprung into being, in part, from my wondering about reviews, which put to a women’s writers group to which I belong this Q: Does a poet ask, wait, or hope for a review? I was wondering how proactive to be in inviting a review. From that simple gesture of willingness to ask a question, I received an abundance of supportive responses, offering perspective, information, and ideas for actions I could take. This women’s group is amazing! My query also brought to me the lovely Holly Morgan Mason, who said she’d like to offer a review to The Minuses.
Turns out, Holly and I had brushed poetry paths a few years ago. I didn’t remember, but Holly graciously reminded me that our poems had both been finalists in the Real Good Poem Prize, hosted by Rabbit Catastrophe Review. Kiki Petrosino, the prize’s judge, ended up selecting the title poem of The Minuses as prize winner, and in the process began the bringing together of Holly and me to be fulfilled these years later. I love this connection through the years with Holly; it enriches my sense of the potential of community. It’s been a special delight to reconnect with Holly, and an honor to receive the gift of her attention to my poems. Here’s an excerpt from her beautiful review:
The poems in this book are masterfully calibrated. The pacing is slow, careful, meditative throughout. There is space to breathe around the lines. Macarty’s phrasing delights and surprises. Like in the poem “Equals Rain” with the line “We pace the aisle of what happened to the sky.” Or in “Related Sequence” which ends with these stunning and echoing lines: “Loosening September sky// The day feels its own weight and buckles// In a window, a lace dress hangs itself” and ends without punctuation, asking us to consider the implications of the image.an excerpt of Holly Mason’s review of The Minuses, published in Entropy
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by Holly Morgan Mason
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The above montage reveals the sort of artist Vincent is; the sort who takes a desert book to the water! Largely set in the Sonoran Desert, The Minuses dearly appreciates being at the beach, near the water, and in the rain from above. Quenching!
Speaking of being in service of writing community, rob mclennan, invited me to participate in his project 12 or 20 (second series) Questions. My responses were published on September 17, 2020. rob and I have known each other via discussions on first books of poetry since 2008 ish. He’s a deeply engaged and community-minded poetry soul.
rob put to me all 20 of his series’ questions, which spanned topics such as first encounters with poetry, how poems begin, engaging in public readings, theoretical concerns behind my writing, and the role of the poet/poetry. Spending time with these questions, allowed me to contemplate and consider the map my creative life, including coordinates associated with best advice, moving between genres, collaboration, and influence. I’m entirely grateful to rob!
Here’s my response to 12 – When your writing gets stalled, where do you turn or return for (for lack of a better word) inspiration?
For me, it’s not so much that writing stalls. Writing continues, is continuous. Instead, it’s the ego that intervenes and enforces its will on the words. Or, it’s attitude (for me, especially, frustration at how long it’s taking) that gets in the way of the flow and stalls it. I’ve learned (mostly!) to recognize when persistence will be a case of diminishing returns. So, rather than put up my dukes, I take a break. More often than not I go for a walk. Solvitur ambulando! During these times, I don’t have a sense of needing to be inspired, but rather needing to clear a clog or shift attention. Sometimes there’s this sense that what’s unfolding in the writing needs some privacy. So, stepping away, looking away can give it some necessary space. The break has to take place at the energetic, kinesthetic level. Taking a shower, preparing food might also provide space. That’s day to day. Thinking longer term, to meet a sense of staleness, I make visual collages. Often the collages provide an image and color palette for a poem. To bring energy and myself back to words, I invent wild, impossible, contortionist writing constraints that are part goose chase and part scavenger hunt. To meet loneliness, I collaborate with another writer, sending weekly responsive transmissions back and forth. Since September 2019, I and poet, Sean Singer, have been writing a poem together; it’s 36 pages long so far. Or, I may elect to write in community a poem a day with some other poets.-my response to rob mclennan’s question #12
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12 or 20 (second series) Questions
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+ Thank you bows to lovely person and fine poet Holly Morgan Mason for her gorgeous, full-of-care review of The Minuses; bows also to Entropy and staff for making a place for Holly’s review of my poetry collection.
+ In delightful association, thank you bows to Rabbit Catastrophe Review, the host of the Real Good Poem Prize, and the 2016 prize judge Kiki Petrosino, who selected the title poem of The Minuses as prize winner, and in the process began the bringing together of Holly and me to be fulfilled these years later.
+ Thank you bows to most generous, community-minded rob mclennan for the invitation to participate in his 12 or 20 Questions Series; bows also to rob for his immense support of the poetry community.
+ Thank you bows (continuous!) to publisher Stephanie G’Schwind, and Mountain West Poetry Series editors Donald Revell and Kazim Ali, et al interns at the Center for Literary Publishing (CLP) for making The Minuses with me.
+ Thank you bows (continuous!) to monsoon storm chaser and marvelous professional photographer, Liz Kemp whose monsoon photograph storms the cover of The Minuses.
+ Thank you bows (continuous!) to Vincent K. Wong for his artistic friendship, creative collaboration, and for taking my author photos.
+ Thank you bows (continuous!) to you, dear reader, for the gift of your attention! If you have any questions or comments, write me!