& Making Space (2)

Hello, dear reader! As 2019’s 11th month nears end, I’m thinking about space—being made for my poems and me—and those who generously made it .

I’ve offered this before and I’ll offer it again:                                                                                  Making space for makers is a community-minded, inclusive action of high order!

Gratitude all around to those generous souls who have made space for my poems and me the months of this year in their readings series, at their microphones, around their fires, in their ears, in their eyes, in their bookshelves, in their imaginations, in their conversations, in their publications…

Come with me on this tour of gratitude for makers making spaces for me, my poems…

In reading series–

Most of the readings I offered and participated in this year took place in October and November, and of those, two took place on islands.

First island hop, Gabriola Island 

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Nice poster! Right? Poetry Gabriola asked if they could use the cover image, taken by Vincent Wong, and the title of my 2018 chapbook Instinctive Acts for the poster. How could I refuse?

Hosted by Poetry Gabriola at the Roxy on Friday, October 4, 2019 at 7:30 p.m., Lawrence Feuchtwanger, a terrific poet, former student, and new resident of Gabriola Island opened our joint reading to a beautiful poetry audience of ~40 souls with attentive ears and big hearts. Lawrence read from his collection Refugee Song  (Signature Editons, 2014) and from newer work. For my part of the evening, I read poems from Landscape of The Wait and Instinctive Acts, followed by a handful of poems from The Minuses. I loved how Lawrence’s and my poems conferred, sometimes joining , sometimes diverging—and it was heart-gratifying to be in conversation with Lawrence and his poems again.

Lawrence, I hasten to add, not only invited and hosted me for the Poetry Gabriola reading, he and Deb, his partner, also put me up at their marvelous wood-frame house in the woods. O, the quiet! The fire place! The bright, open space where I offered the workshop the next day was absolutely perfect for our conversation about radiances—the brilliances of light, heat, emotion, etc.—within poems. Lawrence even baked gluten-free brownies to provide nourishment to me and workshop participants. I returned to Vancouver from my 24-hours on Gabriola, feeling refreshed and rejuvenated.

Thank you Lawrence, Deb, The Poetry Gabriola Society, The Roxy, and the lovely, welcoming residents of Gabriola Island for hosting me!

Second island hop, Orcas Island

Macarty Babcock Salon Series 20191116

This warm and warming poster is designed by Jill McCabe Johnson. As well as being a graphic designer, Jill is also a terrific poet (we’re Finishing Line Press sisters), an editor, and with her good partner Charles, an innkeeper of Kangaroo House B&B.

Hosted by Artsmith on Saturday, November 16, 2019 at 7:00 p.m., Debra Babcock opened the salon by reading two excerpts from her memoir-in-process, focusing on her relationship with her mother, a polio survivor and hearty soul. I read poems from Landscape of The Wait and Instinctive Acts, followed by a handful of poems from The Minuses. Surrounding Debra, me, and our words were the warmth and light from the fire, and the open and welcoming attention of listeners. Following our readings, the audience joined us in a special conversation that got at the core of writing impulses, subjects (especially related to family), and connections between writing, ecology, and spirituality. Then, we supped on delicious potluck fare and continued our delving conversations.

Not only did Jill and Charles host me for the salon series reading and potluck, they hosted me and John for two nights in their B&B, Kangaroo House. We were very well taken care of; these two whip up three-course breakfasts! We loved the quiet, the hottub soak in the rain, and the king-sized bed. We returned to Vancouver with our hearts filled. Images: John R. Welch

Thank you Jill, Charles, Artsmith, Kangaroo House, Debra, and the salon’s generous audience for sharing word-love with me! Images: John R. Welch

In celebrations of diversity and language–

with Tasai Collective & Soramaru Takayama

Hosted by Tasai on Saturday, July 20, 2019 from 1:00 to 3:00 p.m. at Vancouver Art Gallery,  the second annual perfomance of the poem “Tower of Babel” by Soramaru Takayama took place. Once again this year, it was my honor to participate in this powerful, heart-expanding poetry reading and performance that seeks to honor diversity in a city of immigrants who live on the unceded lands of First Nations peoples. I gave my voice in American English to the poem, just as the speakers of 15 other languages gave their voices and first languages to celebrate diversity in Vancouver on a hot summer’s day.

Thank you bows to gracious hosts: Tasai Collective, Steve Frost, Yurie Hoyoyon, Soramaru Takayama, Vancouver Art Gallery, and the people of Vancouver who joined their voices with ours! Images: John R. Welch

with Nomados Literary Publishers, Meredith Quartermain, & Peter Quartermain

Hosted by Nomados Literary Publishers, Meredith Quartermain, and Peter Quartermain at People’s Co-op Bookstore on November 14, 2019 at 7:30 p.m., a community of writers and readers gathered around Meredith and Peter Quartermain and their 51-title publishing endeavor, Nomados Literary Publishers. The evening opened with a slide show, featuring the Nomados’ titles’ covers, most authors, the printers, the publishers, and everyone else who contributes to the success of the chapbook series, including Rolf Maurer, who runs People’s Co-op Bookstore, where the readings by Nomados authors typically take place. After the slideshow, Meredith Quartermain offered her humble remarks, followed by those of humourously askew Peter Quartermain. Then, Judith Penner, Jacqueline Turner and I, offered a pop-up panel on nomadism. Images: Meredith Quartermain

My comments focused on the flâneuse, walking in the poems of Instinctive Acts, my chapbook published by Nomados (November 2018). This walker is a woman, considering home, violence, and belonging in Vancouver’s Downtown Eastside. Flâneur, from the French, meaning “stroller,” “lounger,” “saunterer,” or “loafer” (Merriam Webster), has long been seen as a man’s role…, but what, I asked in my five-minute comments, about the transgressive work of the flâneuse? She is every bit the wanderer, wondering. “Sometimes she would like to be a settler, but curiosity, grief, and disaffection forbid it” (Deborah Levy, Swallowing Geography, Penguin, 2019).

Thank you to Meredith, Peter, Nomados Literary Publishers, my press colleagues, including Joanne Arnott (#50), Renee Rodin (#16), and Fred Wah (#25), who offered the evenings readings, plus John Welch and SFU’s Archeology Department for the loan of the projector screen, Rolf and People’s Co-op Bookstore. Images: Jami Macarty

In publications

Lucky I have been this year to have poems and an essay accepted for publication. Published in 2019: Autumn in the EastThe Journal 43.3;  Inexorably Tangled, a collaborative poem written w/Jacqueline Turner / The Capilano Review 3.39; Who The Strummer in Vallum 16:1 (digital extras); three poems from A Body in Liberating Strife in Another Way RoundForthcoming: The Daughter / Dusie Blog; Cultivated Aftermath of Posts & She-Civilian in Tiny Spoon; Letter in Name of Country in Global Geneva; The Shelter in The Rumpus: ENOUGH column; Memory Predator & Neighbors in EVENT; Digging for Heart, a chapter in Archaeologies of the Heart.

Thank you to editors Molly Brown and Robert J. Schumaker, Jr. at The Journal; to Juliane Okot Bitek and Matea Kulic at The Capilano Review, to Eleni Zisimatos and Leigh Kotsilidis at Vallum, to Edward Wells at Another Way Around, to rob mclennan at Dusie blog; to C. M. Chady and Stephanie Hempel at Tiny Spoon; to Carla Drydale at Global Geneva; to Marisa Siegel at The Rumpus; to Joanne Arnott at EVENT, and to Kisha Supernant et al. of the volume Archeologies of the Heart for their support of and confidence in my work.

In ears, eyes, reviews, & bookshelves–

Kevin Spenst offered to Instinctive Acts a brief, but salient review in subTerrain #81 “Chuffed About Chapbooks” column…

Dr. Martin St. Andre gave Landscape of The Wait 5 out of 5 stars, and in November on Amazon, offered the poems a full, most thoughtful, expansive, and most special to me review. I include it in its entirety here…

“Jami Macarty wrote this collection of poetry in honor of her nephew William who was hospitalized in an Intensive Care Unit after sustaining multiple physical and neurological injuries following a car crash. Her series of poems conjure up the harrowing experience of accompanying a loved one during a coma episode: the inability to validate any form of communication with the person, the enforced passivity, the entrapment in a highly technological environment, the dependency on a dazzling number of healthcare professionals, the repetitive attempts to create a coherent trauma narrative, the exhaustion, the resurfacing of family tensions–and solidarity–in the midst of forced hospital cohabitation, the sense of time unfolding and yet somewhat stagnating.

That great beauty could emerge from such an apparently bleak landscape speaks of Macarty’s literary brio, exquisite observational skills, deep capacity to straddle ambiguity and appreciation of life as it is. The superb visual layout of words on the page creates intriguing associations and conveys the sensory choppiness of traumatic experience. The percussive alliterations, the reiterations and the stuttering quality of certain passages convey the attempts to transmute disparate sensations into words. The repeated references to scientific terminology illustrate our striving to overcome ignorance and to conquer reality; yet this very quest acutely shows how language is but an island in the midst of the unknowable.

This series of poems should join the expanding literature in narrative medicine and be  recommended reading for anyone involved in critical care medicine. For family members and friends of patients, this text could provide hope about creating meaning in traumatic circumstances. For writers, this series will demonstrate how technical breadth can be used graciously and purposefully. And for the rest of us readers, this series will have us marvel at the power of poetry for expressing the inexpressible.”

Thank you very dearly Kevin and Martin for offering my poems your special attention and thoughtful reader’s responses.

 

 

On day 334 of the year 2019 and all seven days of each week in these 11 months, dear reader, I thank you for welcoming the words of this blog, and thank you to those of you who have purchased my books and read my books, welcoming my poems and me into your ears and eyes and bookshelves. Thank you with my whole heart for your welcoming! Poetry Love! Love Love all around you!

& Instinctive Acts

As the sand drains to the bottom of December 31’s remaining hours, and just like the end of 2017, lasts, like this day, point me toward reflection and acknowledgment, announcement and celebration. In my previous post, I took stock of my year in poetry, bowing to those who joined and supported me. 

In this post, I announce Instinctive Acts, my third chapbook of poetry, published in October 2018 by Nomados Literary Publishers, edited by Meredith Quartermain and Peter Quartermain

Here’s Meredith Quartermain unveiling Instinctive Acts on October 19, 2018 at Nelson The Seagull (cafe). Instinctive Acts joins my other two chapbooks of poetry. 

In my first chapbook, Landscape of The Wait (Finishing Line Press, 2017), a poetic response to my nephew William’s car accident and year-long coma, the landscape is hospital and waiting rooms on the Atlantic coast in the Northeastern US, where I grew up and where my family still lives, and the conceptual landscape waiting carves in the minds and hearts of the waiters. In my second chapbook, Mind of Spring (No. 22 Vallum Chapbook Series, 2017), the landscape is the Sonoran Desert that surrounds Tucson, Arizona, and includes streets and neighborhoods (Barrios) of the city’s Downtown. This long poem in three parts also takes place in corporate America and oil-rich Middle Eastern countries surrounded by the Arabian Desert. 

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The landscape of Instinctive Acts is Vancouver, British Columbia’s Downtown Eastside and Gastown neighborhoods. In these poems, I’m writing to locale/dis/location; place/dis/placement; neighbor/neighborhood. The poems are written as taking place in the city and so by that association they are of a city. Weirdly perhaps, I do not think of them as commentary on city (the urban) or in contrast to the (suburban) small village I grew up in on the other side of the continent or to the desert. Place is important because of a feeling of exile, displacement, immigrant status, and, the loneliness that comes with being new and other in a place, especially one that tends to remind you of your otherness. 

Everyone has their pre/occupation. In these poems, mine is: How do I and my neighbors live together? What is neighbor/neighborhood? Who belongs–the geography of self? Who is inside/outside–figuratively and literally? How do we connect? Where do we find community? What is home? Where is it found? To what elements of deconstruction are connection, community, and home vulnerable? 

The vulnerabilities are revealed through: Woman walking. Violence–against women. Writing on the wall, as literal and metaphoric implication. Talking to walls. Speech. Communication. Listening/watching in order to locate. In order to be. In relationship. In community. With self, other, streets, alleys, restaurants, birds (nature), and rain. It wouldn’t be Vancouver without rain.

In Vancouver, rain is often a source of complaint, keeping residents inside. By contrast, in Tucson, rain is a cause for celebration, dancing residents into the streets. I’ve always loved the rain. Rain that washes but that’s not what it’s for. Rain that punctuates but that’s not what it’s for. Rain no matter what. Rain on everything. Rain indiscriminately. 

Rain–its absence or presence. Birds. Location. These are three constants in my work.

I want to tell you a bit about how the cover came to be.

As with the other two chapbooks, I wanted a photograph for the cover. Meredith Q. was hesitant, so I was in the process of accepting a text only cover for Instinctive Acts when I had a dream in which a photo of the gargoyle, as I call it, in an alley near where I live became the cover of the chapbook. The next morning, I contacted Vincent Wong, my friend and a wonderful photographer to see if he’d come take the gargoyle’s picture. He agreed! 

Here are some of Vincent’s beautiful captures of the day.

Once I had Vincent’s wonderful photographs, I selected the one (bottom left) and mocked up a cover for Meredith to see. She loved it, and when I told her about my dream, the new cover was born! 

What a joy it was to collaborate with Meredith and Vincent on the book! I bow to them, and to Joanne Arnott and Wayde Compton, who offered their endorsements for the poems. Terrific artists all, who make Vancouver’s arts and my community more vibrant.

With the book all together, it was time to celebrate! 

Rolf, the owner of People’s Co-op Bookstore, where we gathered to celebrate Instinctive Acts welcomed us. First up: Jacqueline Turner, a new friend and wonderful poet read from her new work forthcoming from ECW Press. Next Jacqueline and I read part of a poem we wrote in collaboration for Pandora’s Collective Poetic Pairings reading (October 30, 2018). Then, it was my turn! I read 10 poems from Instinctive Acts. The reading closed with Japanese poet, Soramaru Takayama and I reading two more poems from the chapbook. I read in English, Sora read his translations of my poems in Japanese; then, we read the poems in our respective languages simultaneously (Go to this post on my Facebook page to listen to Sora’s and my performance).

There’s another chapbook of my poems into the world. Tra la! Will you read it and then share with me your response? That’s a poet’s hope! Happy All Year!

 

 

& MAKING SPACE

November. The 11th month of 2018 during which I’m thinking about space–being made for my poems and me–and those who generously made it.

Making space for makers is a community-minded, inclusive action of high order!

I am deeply grateful to those who have made space for my poems and me the months of this year in their readings series, at their microphones, in their ears, in their eyes, in their bookshelves, in their imaginations, in their conversations, in their publications…

Come on this tour of gratitude-filled maker spaces…

In reading series–

  1. Phoenix Poetry Series: Finishing Line Press Poets 

Fri Jan 26, 2018 at 7pm | Phoenix College, 1202 W Thomas Rd, Phoenix, AZ

A panel-style craft talk about the challenges of writing familial trauma by three Finishing Line Press (FLP) poets: Jami Macarty (Tucson), Virginia Chase Sutton (Phoenix), and the co-host of PPS, Rosemarie Jeana Dombrowski, followed by a reading of our poetic works. Thank you pro hosts Rosemarie Jeana Dombrowski and Nadine Lockhart!                Images: John R. Welch

2. Casa Libre presents…

Sat Mar 24, 2018 at 7pm | Casa Libre Reading Room, 228 N. 4th Ave, Tucson, AZ

With a much compromised voice, I read from Landscape of The Wait and Mind of Spring, with admired Tucson poet Joni Wallace, who read from her Kingdom Come Radio Show and some new work, followed by a Q & A to an audience of intimates at Casa Libre en la Solana. Thank you intrepid host: Sally Roundhouse! Images: Eleanor Kedney

3. Poets Corner Reading Series

Wed, Jun 20, 2018 at 7:30p | Massy Books, 229 E. Georgia St., Vancouver, BC

I read from Landscape of The WaitMind of Spring, and new poems with lovely Vancouver poet Daniella Elza, who read from her new work, followed by a Q & A to a receptive audience at Massy Books. Thank you smiling hosts James Felton and Franci Louann! Images: Deb DeJong

4. Dominion Reading Series #16

Fri, Jun 29, 2018 at 6:30p | BC Artscape Building, 268 Keefer St, Vancouver, BC

With special colleagues and poets Bonnie Nish and Cythia Sharp, I breathed poems–from Landscape of The Wait, Mind of Spring, and a new collection–into the rarified air of the monthly reading series, taking place in Vancouver’s Chinatown. Candie Tanaka, the coolest, is the host of this literary salon and conversation where each writer gets 20 minutes:  10 mins for a reading, 5 mins for discussing their creative process, 5 mins for talking about a hobby or something else of interest, and an extra couple of mins for questions. Plus, Candie offers the best snacks and refreshments. Thank you, host extraordinaire: Candie Tanaka! And, for the images: Bonnie Nish! Listen to my reading!

In radio Interviews–

5. Wax Poetic (Listen on CFRO 100.5FM)

Wed, Jun 20, 2018 at 2-2:30p | Co-Op Radio, 370 Columbia St, Vancouver, BC

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In this interview (prerecorded on May 29 at 3:30pm), I joined hosts Pamela Bentley and Kevin Spenst, allowing each poem I read–from Landscape of The Wait and Mind of Spring–to guide us in conversation at the confluence of the words the world inspires. Thank you thoughtful hosts: Pam and Kevin. Listen to the interview!

In artistic collaborations–

6. Tower of Babel

Sat, Jun 2, 2018 at 1-3pm | Vancouver Art Gallery, 750 Hornby St, Vancouver, BC

In this outdoor public poetry reading, Japanese poet’s Soramaru Takayama’s “Tower of Babel,” was delivered in 20 voices, giving breath in 20 languages, to celebrate Vancouver’s diversity. I had the honor of reading the English parts of the poem. Thank you bows to gracious hosts Tasai Collective, Steve Frost, Yurie Hoyoyon, and Soramaru Takayama! Images: Manto Nakamura

7. Sustenance Anthology Reading

Sun, Jun 17, 2018 at 11am-1pm | Farmer’s Market| Dude Chilling Park, Vancouver, BC

Sustenencae reading Dude Chilling Park June 2018

Fresh local poets who contributed to the anthology Sustenance: Writers from BC and Beyond of the Subject of Food, were paired with produce at the BC Farmers Market. Proceeds from the sale of Sustenance go to support the BC Farmers Market Nutrition Coupon Program. Purchase a copy and help provide a family in need with local, fresh food, all the while supporting BC farmers, ranchers, and fishers. My poem, “Hunger” is at this meal of writing, and I acquired and edited 10 other voices also included in the word feast. Thank you to hosts Rachel Rose and Anvil Press!

8. Pandora’s Collective: Poetic Pairings

Tues, Nov 30, 2018 at 6:30pm | Britannia Library| 1661 Napier St, Vancouver, BC,

This is one of my absolute favorite events in Vancouver, programmed by Pandora’s Collective executive director Bonnie Nish, wherein two poets are paired for approximately three months during which time they put their imaginations together and arrive at a collaborative response to concerns of their own creative design. This is the second time I’ve had the good fortune to be included in these most fascinating proceedings, and this time I worked with wonderful Vancouver poet Jacqueline Turner on a two-phase poem, each of six parts, concerning itself with risk the saying as antidote to demands of silence related to violence against women. Thank you to respectful host: Mary Duffy! Images: Wendy Bullen Stephenson

In publications–

9. Celebration of SFU Authors, Contemporary Verse 2 (CV2), EVENT, Light – A Journal of Photography & Poetry, Otoliths, and The Paddock Review (a Finishing Line Press project)

My 2017 good luck publications Landscape of The Wait and Mind of Spring were recognized at the annual Celebration of SFU Authors in March 2018. The literary journals: Contemporary Verse 2 (Canada),  edited by Sharapal Ruprai and Jennifer Still accepted two poems; EVENT (Canada)edited by Joanne Arnott accepted one poem; Light – A Journal of Photography & Poetry (United States), edited by Manny Blacksher accepted five poems and appointed me a Featured Poet (!) of the issue, Otoliths (Australia), edited by Mark Young, accepted six poems and The Paddock Review (United States), edited by Leah Maines accepted one poem. Each editor took a chance on my poems (15 in total); their confidence in my work is a life spark. I am deeply grateful to these editors for their support.

In ears, eyes, & bookshelves–

10. You!

On day 310 of the year 2018 and all seven days of each week in these 11 months–thank you for welcoming my poems and me into your ears and eyes and bookshelves. Thank you with my whole art heart for your welcoming! Poetry Love!

 

& Mind of Spring

Lasts, like this day, December 31 of the year, 2017, point me toward reflection and acknowledgment, so here I am with the intention to take stock of my year in poetry and to bow to those who joined and supported me.

This seems the time to announce the manifest arrival of Mind of Spring (b. October 16, 2017), the winner of the 2017 Vallum Chapbook Award.

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Written across borders—both visible and invisible—between homelessness and home, estrangement and intimacy, lyric and language, Mind of Spring, a long poem, in three parts, contains what I call weirded aesthetics. To illustrate my meaning, here’s an excerpt:

“palo verde blossoms
dispatched

speed no different
than snow’s

covering     making unknown       this ground

yellows           y y e l l o ws     ggaalore”

See those doubled consonants and vowels, the expanding spaces? I mean them as a hybrid of emphasis, mantra, stutter and… These are some of the ways the aesthetics in Mind of Spring are weird. May you read Mind of Spring and walk with me in a desert borderland, as I contemplate social, cultural, environmental, and personal mechanisms of war. Mind of Spring can be purchased in the online store at Vallum (click and see second book on list).

Mind of Spring is the second chapbook of mine published this year. At the announcement of its publication, a colleague called me “prolific.” I laughed. As if. This poem was composed in 2012; it took five years to see it to publication. I’ve been writing writing writing for a long while and with not always that much recognition in the form of publication, for the weirdnesses, such as Mind of Spring that I write, and so I am super super grateful to Vallum and the hard-working, thoughtful Eleni Zisimatos and Leigh Kotsilidis for selecting Mind of Spring for the Chapbook Award and for seeing it to publication. Such confidence and enthusiasm for my work sures my foundation.

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If Vallum sures my creative foundation, then the land on which that foundation stands is Finishing Line Press (FLP), publisher of Landscape of The Wait. The marvelous, artist-friendly team, lead by Leah Maines and Christen Kincaid are beyond-the-call, generous poetry mothers! Like I hold just-out-of-the-box Landscape of The Wait above, I feel held and supported by and ever grateful to FLP, Leah, and Christen for their confidence in my work. Read more about Landscape of The Wait and purchase it by clicking here: Finishing Line Press.

Poetry books take a village: editors, endorsers, readers, reading series, audiences… Behold the beloved villagers of Mind of Spring and Landscape of The Wait!

Beloved endorsersLandscape of The Wait and I bow to you, bow to you, bow to you : Kazim Ali, Rusty Morrison, and Forrest Gander; Mind of Spring and I bow to you, bow to you Annie Guthrie and Erica Mena-Landry.

Beloved readers: (some of whom show their beautiful faces with Landscape of The Wait) Martin, Henry, Birgit, John, Barbara, Louise, Penelope, Theresa, Carol, Ann, Helga, Linda, Andrew, Moss et alia thank you, thank you, thank you for supporting my books by buying and reading them. You know THE way to make a poet happy!

Beloved readers: (some of whom welcomed Landscape of The Wait into their home, artistic, and travel landscapes) from Florence, Italy to Tucson, Arizona to Galiano Island, British Columbia to Prague, Czech Republic to a New York City bookcase (Sean Singer’s) to Minneapolis, Minnesota to Montreal, Quebec to Vancouver, Washington to Toronto, Ontario (with scotch!) to Sudbury, Massachusetts, and beyond…. Thank you, thank you for bringing my words into your landscapes. You make a poet happy!

Beloved reading series and organizers: (who hosted me, allowing me space to offer my words) Thank you, thank you, thank you Vancouver Writers Fest, SFU Lunch Poems, The Paper Hound, Gatsby Books, Librairie Drawn & Quarterly, Pandora’s Collective, Dominion Reading Series, Word Vancouver, Dead Poets Reading Series, and the mover-shakers, who helped make the readings happen, especially, Jill McCabe Johnson, Bonnie Nish, Candie Tanaka, Kim Koch, Leigh Kotsilidis, Sean Moor, Rachel Rose, Renee Saklikar, Karen Green et alia and the beloved audiences who listened. How happy and grateful I am for your generosity.

And, thank you, thank you, thank you to interviewers, Jay Ritchie and Cason Sharpe;  reviewers Cristina Tranpani-Scott, Andrea Walker, Jeff Santosuosso, and Panoply, and to those who offered their reading responses: Joe Ezzo, Don Gray, Elizabeth Frank, Virginia Chase Sutton, Andrew Felmar, Jane Antanucci, et alia. Happy, happy you have made a poet.

Such glorious abundances of love-opportunities all of the above mentioned and visible  have bestowed on me! And, to those invisible and unmentioned, also, you, my dearests, have been everything love as these books and I come into the foreground of poetry. Thank you one and all for these glory days of poetry sharing.

 

 

Landscape of The Wait

Landscape of The Wait arises in landscapes near and far; thanks to the book’s beloved, generous readers, who have welcomed the poems into their home landscapes and who have documented the book’s presence where they are then bestowed the pictorial gift-evidence on me, proving the best way to make a poet happy: buy and read her book! A metered, million thank yous in every language: Merci Beaucoup! Danke! Thank you! to you, my beloved readers.

 

 

 

 

 

Landscape of The Wait

There are many arisings related to the “after” of publishing a book that surprise me.

One is “having” readers. I’m not sure if I fully felt into and thought about what “having” readers means to a poet–to me.

What I’m realizing, as people write to me, sharing their responses to the book and/or sending photos of the book in the landscape of their hands, is that “having” readers is conversation is community is love is inspiring is joyful is everything…

Behold! Here are some beloved readers of Landscape of The Wait!

 

Landscape of The Wait

Beloved supporters of and endorsement-writers for Landscape of The Wait–

Forrest Gander

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How to write of emergency. Of trauma. Of a boy in a coma surrounded by those who care. Who care to find him. Jami Macarty, the poet among them, writes her way toward him with a scorching, visceral language. Her poems try to make contact from every direction and so the poems are heterogeneous, their myriad structures probing. The unsettled grammatical connections, the caesuras rehearsing loss, the vowels howling in rhyme from either side of the gap, the skips in the language— into into into— enact all the energies of living in that extended moment of suspension when we simply don’t know what happens next.

-Forrest Gander, author of Core Samples from the World & The Trace

 

Kazim Ali

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From the trauma of ruin, Jami Macarty tries to make sense. The more delicate and beautiful these lyrics are the keener we feel the double-edged blessing and wound of living in a human form. The quiet vigil beside the body of the comatose nephew finds its analogy in the writer and reader desperately attending the language of the poem in deep hope of finding some comfort there.

-Kazim Ali, author of Bright Felon & Sky Ward